Maximilian Lenz “A World” 1899,detail
Shadow of Doubt, 2009, Oil on Canvas
Ghost Story 1, 2007, Oil and French enamel on Canvas
Lars Teichmann - Untitled Portrait (after Gainsborough), 2010 | More posts
Closure
Cold oils slid along his veins, chilling his blood: age crusting him with a salt cloak. Slowly, one by one, he selected the colors. He then put the dead man in a hollow tree at his head—for he wanted to protect him from the wolves—and laid himself down on the ground and moss. It was the skeleton of his wife in her yet unmoulded shroud. For the next several minutes, he carefully picked up the crayons and applied them to her bones, thinking quietly to himself the while. “She would love this,” he thought, “if she she could see herself now.” Our journey flows past us like ice chunks, maybe it is we that are stationary. That would make Death a huge glacier crashing into us while we’re strapped down near the equator. The act of closure will make a strong, sad sound.
In the style of Van Gogh’s painting “Starry Night,” massive congregations of greenish phytoplankton swirl in the dark water around Gotland, a Swedish island in the Baltic Sea. Read more here.